No…I takeoff, accelerate to 120 to clear the trees usually with about 400ft clearance to the trees…about 3/4 of a mile off the end of our strip, which is surrounded by trees, wires etc…is a large open field…in an engine failure scenario right off the end of the strip which would require a 15 degree turn to the right…and then some form of abbreviated pattern…
The goal, would be to bleed airspeed from 120 mph ias over the trees and trade the energy available from the altitude to coast on down to the 80mph mark, then determine best course of action to attempt to fit in on the open, large farm field…
I have never actually shut the engine down, to see what the actual affects of the spinning, flat pitch blended airfoil Hartzell affords in terms of drag, but my gut feeling is….it’s a helluva lot of drag.
If this area is where AoA shines…then please educate me as to how so…the comment that you use it in lieu of airspeed boggles me…since Vacs video clearly shows an airspeed indicator, so I’m confused as to when to make the switch.
Steve
Steve, I'm flying the same system as Vac has in his plane — I'm not a pro here but I'll venture an answer.
The OnSpeed system is audio-based (in addition to that display in the video), and the tones tell you where your are on the range from roughly Vy all the way to stall. If you engine dies on initial climb, you need to
- push the nose down, since your AoA's going to start climbing quick and you need to stop that from happening
- get into a 45 degree turn, so that you have a tight enough turn to get pointed back at the runway
- you'll be squeezed between your unexpected loss of power slowing you down, and the tight turn raising your stall speed...
So the familiar approach-speed reference sets a too-slow trap. If you fly the "OnSpeed" AoA (the solid tone), you can stay safely away from stall as you do this max-performance maneuver and your airspeed's all over the place.
The other nice thing about the wide range of AoA cueing is that you actually can fly AoA on rotation + takeoff. The tones start beeping at L/D max, which is ~roughly the same as Vy. And a solid tone ~roughly matches Vx.
So I fly the nosewheel off in my 10, hold the nose down until solid tone, then pitch for the start of the tone band. As the plane speeds up this has me increasing my pitch, and I can turn crosswind fairly aggressively for pattern work (with no one else around!), knowing that I am at constant AoA.
I glance at the airspeed as a "cross check" and it's nice to see that, yes, when I have less fuel on board, the speed's a bit lower than normal. Same thing on downwind — give a glance at the AoA to make sure the tones are roughly matching my airspeed expectation, then I don't really look at the panel again, other than a glance on final.
Anyway hopefully that's helpful, as some reflections from an AoA-newbie on how I really am flying tones + AoA.